Trailer Talk of the Tow
See AllThe Most-Watched Previews Everyone’s Hyped About Right Now
No Other Land
Yuval Abraham, Basel Adra, Hamdan Ballal
This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.
Retro
Suriya, Pooja Hegde, Jayaram
A gangster tries to avoid violence and lead a peaceful life after vowing to his wife.
Thudarum
Mohanlal, Shobana, Prakash Varma
In the quiet hill town of Ranni, humble taxi driver Shanmughan treasures one thing above all - his aging Ambassador car. When fate puts him to the test, he must prove just how far he'll go for what he holds dear.
Words of War
Jason Isaacs, Ben Miles, Ciarán Hinds
World-renowned journalist and human rights activist Anna Politkovskaya went from being a local print journalist to braving the Chechen killing fields and exposing Russian state corruption under Vladimir Putin. She refused to give up reporting on the war in Chechnya despite numerous acts of intimidation and violence, including being poisoned. She was ultimately murdered in the elevator of her block of flats and it remains unclear who paid for the contract killing.
Sinners
Miles Caton, Saul Williams, Andrene Ward-Hammond
Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
RRR: Behind & Beyond
S.S. Rajamouli, N.T. Rama Rao Jr., Ram Charan
Delves into the making of S.S. Rajamouli's epic RRR. Through behind-the-scenes footage and interviews, it unveils the vision, challenges, and dedication behind this cinematic marvel.
HIT: The 3rd Case
Nani, Srinidhi Shetty, Adivi Sesh
Arjun Sarkaar, a top HIT officer from Visakhapatnam, is sent to Jammu and Kashmir to investigate a series of brutal murders. As he pursues a group of elusive killers, the case tests his skills and mental strength.
The King of Kings
Pierce Brosnan, Forest Whitaker, Uma Thurman
A father tells his son the greatest story ever told, and what begins as a bedtime tale becomes a life-changing journey. Through vivid imagination, the boy walks alongside Jesus, witnessing His miracles, facing His trials, and understanding His ultimate sacrifice. The King of Kings invites us to rediscover the enduring power of hope, love, and redemption through the eyes of a child.
The Accountant 2
Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson
When her former boss is killed by unknown assassins, Treasury Agent Marybeth Medina (Cynthia Addai-Robinson) is forced to contact Christian Wolff (Affleck) to solve the murder. With the help of his estranged but highly lethal brother Brax (Jon Bernthal), Chris applies his brilliant mind and less-than-legal methods to piece together the unsolved puzzle. As they get closer to the truth, the trio draw the attention of some of the most ruthless killers alive -- all intent on putting a stop to their search.
Magic Farm
Joe Apollonio, Camila del Campo, Guillermo Jacubowicz
A media crew mistakenly ends up in the wrong country while trying to profile a musician. As they collaborate with locals to create a viral trend, relationships form amid an unfolding health crisis.
Fan Favorites
The Most-Talked-About Movies — and the Reviews Fans Can't Stop Writing
Warfare
A Navy SEAL team was ordered to set up an outpost in Iraq. During the surveillance mission, they were suddenly besieged by the enemy. The enemy was outnumbered and they had no choice but to defend the outpost under fierce artillery fire, waiting for reinforcements and armored vehicles to arrive. However, their comrades were seriously injured and dying, supplies and equipment were scarce, and the enemy was advancing from all sides... In the adverse situation that was difficult to reverse, even if they fought side by side, could everyone retreat? The film was adapted from the real experience of Ray Mendoza, a former Navy SEAL member, in the Iraq War.
Drop
Violet (Meghann Fahy) is a widow and single mother who is on her first date in years. She arrives at a fancy restaurant and is delighted that her date, Henry (Brandon Sklenar), is more charming and handsome than she expected. But as a series of anonymous messages begin to arrive on her phone, Violet's initial annoyance gradually turns into fear, and the sparks between the two begin to cool. Later, she is instructed not to tell anyone about this and must obey the instructions of the anonymous message, otherwise the mysterious figure in the hoodie she sees through the home monitor on her phone will kill Violet's young son and his sister who is babysitting him. Violet must act exactly as ordered, otherwise everyone she loves will die, and what is the final order of the mysterious figure who has been tormenting her invisibly? Kill Henry.
Le Rendez-vous de l'été
2024 Paris Olympics. 30-year-old Blandine travels from Normandy to Paris to watch the swimming competition. Faced with the hustle and bustle of the city, she feels lost and nothing seems to be going her way. She navigates the chaos of Paris and experiences an unexpected reunion.
Caddo Lake
When an 8-year-old girl mysteriously disappears on Caddo Lake, a series of past deaths and disappearances begin to connect, forever changing the history of a shattered family.
Fan Reactions
View AllHonest Takes, Bold Opinions — Straight from the Movie-Loving Masses
Here I come to save the day
#RFH #LFF London Film Festival 21st. Surprise Film, I guess I made a wrong bet... My friend and I hesitated when the director came up... We just decided to… The film still follows the structure of a hero's journey, and apart from the long shots, there seems to be no breakthrough... The reenactment or dramatization of the preparations for the 1974 premiere of Saturday Night Live is like the graduation sketch of Ten Great Things that I saw recently, but I feel that I haven’t absorbed much culturally… At most, I watched Colin and Michael’s Weekend Update, the previous presidential election imitation show, and the episodes where Commander Gosling was kidnapped by aliens. But I still didn’t expect George Carlin, the big guy… Andy Kaufman’s scene is also very famous, and Jim Carrey starred in “Man on the Moon”, which is his biopic. The new father insurance at the beginning looks so abstract now… I’m also curious about what the puppet show of adult jokes will be like… Visually, what is impressive is definitely the large number of long movement shots, especially those in the narrow aisles and across the set, which feels like a test of scheduling. In terms of hearing... it feels too... complicated... I can understand that the live effect is presented in such a noisy environment, but it is still a bit tiring to watch as a movie.
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Western song and dance vampire horror film? It is indeed a unique viewing experience
This is the kind of movie that will surprise you if you have no idea what the movie is about. The first half is like a western, but it is full of song and dance, and then it turns into a vampire horror movie. It has a multi-ethnic cast, a great fusion of cultures, and no reservations about pornography/violence. It is a very interesting and surprising movie. I have to say that Ryan Coogler is really good at choosing music. The soundtrack of Black Panther was very good at that time. It was both culturally representative and made the movie look more exciting. This movie is the same. It contains a lot of soul music with electric guitar as the main theme, and there are also many cheerful dance music. The soundtrack will definitely be a memorable place. There are Africans, Asians, and Aboriginals in the film, and there are also Peking Opera actors. It is really a great fusion of ethnic minority cultures. Moreover, the sudden appearance of vampires in a western movie does not feel abrupt. Michael B Jordan plays two roles. At first, it was hard to tell them apart. They could only be distinguished by the different hats they wore. But later, their personalities gradually became clear. Even without hats and with the same hairstyle, the audience could still tell them apart. Moreover, the twins are typical Western heroes, and they are very cool. Even though I personally think there is a bit too much violence in the later part, they are generally likable and attractive male characters. Many explicit sex scenes are often very long and have many details, which I didn't expect lol In addition, the IMAX rubber camera was used for shooting, and the picture quality and photography are excellent. The twin brothers played by Michael B Jordan also have many scenes in the same frame. The special effects are very good, and there are no flaws at all. It is very natural, and sometimes you will forget that it is played by one person. The part after the killing begins is full of horror and suspense, while the previous part requires patience. This is a work that Ryan Coogler is very open to. It can be seen that there are almost no restrictions and reservations, so sometimes it feels too crazy, but overall it is a fresh viewing experience. Originally, I was not very interested in westerns, blood and gun battles, but I have to say that the characters in the film are well-shaped, the lines are vivid and interesting, and they will not make people feel sleepy.
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A tribute to John Woo, but with soul but no spirit
Evans has never been a performer limited to the field of Bankasura. This film proves that he is one of the most devout and fanatical action film directors in the world today. Unlike the "John Wick" that is leading the global trend today, Evans pursues the traditional method of doing the opposite when virtual special effects and safety measures have advanced to the point where they can eliminate the risk factor of action performances, allowing the audience to find the thrilling feeling when they first watched Hong Kong action movies in various brain-wracking real-life stunt shots. "The Drugged Man" is a half-John Woo fan film that will transform this from the inside out. The Hong Kong film fanatic attribute is pushed to the peak, the violence is exaggerated and vented, but subtly distinguished from John Woo's elegance, and more in line with the reckless street aesthetics. Of course, this pure tribute-style scene arrangement has long been cult and niche due to being outdated. The real display of fierce strength is still the group fight in the nightclub, which has been shelved for reshoots for several years. The quality has been predicted, and the patched VFX and the chaotic and clichéd fate and redemption of parents and children have all dragged it down, but this scene alone is enough for me to continue to believe in the possibilities of Evans who has left "The Raid".
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The Reality of Sound, the Falsehood of Narrative——Image as Intermediary: Media Reflection on the Sex, Dream and Love Trilogy: Dream
Breaking many so-called drama paradigms, the bold structure, contemporary story, and high-concept setting are extremely calm and meticulous. It is worthy of being a script written by a novelist. The whole script is narrated but there are rich and interesting details everywhere. It is hard to imagine that a 60-year-old author can write such a script that is essentially a growth story so real and tactile. The wonderful structure makes every subtle reversal as accurate and effective as thunder. The most amazing thing is the role of the mother and grandmother, which completely avoids the functional clichés, but can be comparable to the profound miniature picture of Ceylon with just a few strokes. The generational gap, the essential loneliness, and the absurdity of politics all give the story depth, but they are all suddenly dissolved in a postmodern way in front of the girl's pure and primitive dream of love. The answer to the film is also hidden here. After two hours of dream talk, the ending point is similar to CMBYN: whether it is love or pain, you have to experience and feel it. Face it honestly and be obsessed with it. (It is much better than the first one)
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Don't use attacks to demand love, but to express your care, vulnerability, and needs.
I feel that there are many places to pause and take notes or analyze throughout the movie. After coming out, I heard the girl next to me say that this is very typical of East Asia. Maybe she wanted to talk about East Asian trauma or communication mode. But I feel that this is human. Most people's communication mode. At the beginning of the movie, I felt that the expression was very bad. They didn't express care, trauma, or needs. They used attacks to express needs, and then lost their tempers with each other. I feel that if these people mastered the method of communication, more than half of the plot conflicts in the world's movies would disappear. Later, I saw the gaslight effect. Push a person to a hysterical and crazy state, and then prove to this person that you are a lunatic. I saw that the heroine squeezed out a lot of her work time during the hero's long business trip, raised 4 children, and her life was a mess. There was a lot of pressure and she couldn't take care of various things. Then the heroine was very upset. When the hero came back and told him that he would go on a business trip again next time, she began to lose control of her emotions. Then the boy told her that she should take an emotion management class and change her temper. At first, the girl's intuition told him that this couldn't be right, and her emotions needed to be viewed in a larger context. But later, when they began to propose separation or divorce, the girl began to search for emotion management courses on the Internet. Then she hoped to ask her husband if she would not leave if she learned these things. But it's impossible. You are in such an environment, facing so much pressure, how can you be very emotionally stable? Why not deal with the environment that makes you crazy, but deal with the crazy subject? Later, they went to see a psychological counselor together. The boy kept expressing that he wanted more private space and work space, and the girl would say that I don't have space anymore. You are the one who has more space than me, why are you asking me for more space. In the later scenes, it brought a very bad mother-daughter relationship, that is, the heroine and her daughter, and then entered the heroine and her mother. Her mother has been instilling in her a concept that the women in our family are very strong and independent, and can survive everything without anyone. In the plot of visiting the mother, there is a very obvious thing, which is the unconscious belittlement of the other party. You brought me a gift, which is really good, but I don't like it. You came to see me, but I want to hit you. So we can see that the emotional expression of the girl in the marriage is actually very similar to the emotional expression of her mother to her. "I want to make you feel bad, make you feel bad." In fact, there are many deficiencies and dissatisfaction with the current life situation, feeling that they are not accepted, understood, and loved. But they can't directly say what they need. There is no way to directly expose their own vulnerability, and there is no way to propose the solution they want to the other party, so they will use a hidden way to find the balance, that is, quietly stabbing the other party to vent their anger. But the party who is belittled or stabbed will actually feel it, so a mutual hidden attack is formed. Later, when the heroine's daughter returned to the family and began to express belittlement and attack to the heroine, the heroine did not have any angry reaction. She just understood her and accepted her. So the daughter cried. The heroine said to herself in the mirror that you are good, you deserve to be loved, you desire to be loved, there is no problem. In fact, loving yourself is really a great ability and proposition. And you have to believe that you can be loved by others and believe that others can accept you. Most of the stories unfold because of lack, and this lack of people in a family relationship may be passed down to their children, or outward to their family members. So we can see very broken communication like the beginning, and very aggressive expression of needs. Many people live as if they don't need love, but they just pretend that they don't need love. In the end, the couple sat in a cafe and talked. The girl said, I always dare not accept your love. I don't know if you will let go when I tell you that I need a hug? The boy said, do you really think so? But he soon discovered his own problem. He never really expressed his needs. The whole movie is a huge communication problem. Although I think it is obviously not comprehensive to summarize this movie with communication, because there are still very important propositions that have not been discussed. I think the boy is indeed avoiding the emotional and care obligations in the family, avoiding labor, and he has his own work space to hide. But the girl does not. This proposition is covered up under communication. But expressing love, feelings, needs, solutions, and believing that you can be accepted is always much better than using attacks and belittlement to ask for care. Just like when the male protagonist tried to sort out the clothes for the family, it was actually better to express his needs. The method is not to constantly belittle him, saying that you can't even sort this, and you can't even do that. If you want him to do more for the family, you should praise him and compliment him. Why work in the opposite direction?
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#Movie Notes# 2619 3.5
Best Cinematography, Best Soundtrack, well deserved. The theme song is very epic. Too long, I was annoyed watching it in two days.Are you blind to build such a black cricket church? No one objects? Finally, the architectural concept is to build a machine without redundant parts, but the two uprights on this building are shaped and have no functionality at all. Since the template is a concentration camp, why do we have such extreme requirements for the height? I thought it was a tribute to Brutalism from the title, or focused on its huge sense of oppression and the shadow of totalitarianism behind it, but it turned out to be just promoting the Venice Architecture Biennale. In addition, although it was definitely influenced by it, were there any founders of Brutalism who came from the Bauhaus? It turned out to be Guy Pearce, I thought it was an unknown actor who looked like him. It was obviously foreshadowed that he didn't understand art. Is it necessary to be so intoxicated when choosing marble, just to show his acting skills?! The boss was exposed, and since he had no evidence, he just refused to admit it. This was his first reaction, and then he ran out to commit suicide? In addition, he complained that his daughter's apologies to his architect wife were nonsense. Either he knew that his father had done something dirty, or he hated her for ruining his father's reputation. These two things cannot be compatible. Since he attributed all the setbacks to the fact that Judaism was not tolerated by the Christian world, why didn't he go when his niece wanted to go to Israel? At that time, he was not doing well, and he should have made great efforts to build Israel.
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A scam movie. If you haven't seen it, please avoid it.
The difference from imagination is too big. You thought the last dance was a tragic farewell, but it was actually an illogical dance between Venom and Mrs. Chen. They were both on the run and went to the casino? They all knew that they would become a complete experience and be tracked and forced to transform and dance? Where is the logic? You thought that the cool God of Symbiotes, Gnar, was the final boss, but in fact, you played Arthas while sitting on the toilet the whole time, and most of the time you were trying to escape from the few undead alien soldier monsters that were chasing you at the end. Isn't this a scam? You would think that Venom would have a lot of scenes, but in fact, most of the time, due to the far-fetched plot setting, he dare not show his full appearance. Only a bunch of unknown symbiotes can fight monsters, just like the Venom version of Deadpool 3. The only highlight is the transformation into animals such as venom fish, venom frog, venom horse, etc. You thought Venom was an anti-hero, but in fact he just ate the heads of a few gangsters throughout the whole movie, and most of the time he was saving others and himself. This is a hero. Has he been completely domesticated? You thought it must be an R-rated, heavy-taste film without any cuts, but in fact it's just a little bit of blood in the brain, and it's even a bit family-friendly. You think the whole movie is a monster adventure, but it's actually a boring road escape movie most of the time; You think the whole movie is exciting and tense, but the middle road scene with the kind family looking for aliens really ruins the rhythm. Does it contribute more than just buying time for Venom to rescue them? It inspired Eddie that there are still more good people in the world, so he has to sacrifice his life to save the world, right? You thought humans would have important roles and high-tech weapons, but in fact, the Symbiote Secret Research Institute is the American version of Bureau 749. They are all sent to death, and their faces are extremely stereotyped, except that they did not fight with bayonets. The only memorable points in the whole process are two ladies and a general. You thought that the farewell work would be as heroic or melancholy as Avengers, but it was just a brief flashback to the previous two films, bland and not as impressive as the contrast in characters and the human general who sacrificed himself in the end. You wouldn't be particularly moved just because Eddie fulfilled his promise to see the Statue of Liberty, right? You might think Mr. Tang would have a breakthrough in his role interpretation, but in fact, he still had the exaggerated body movements and soliloquy that everyone was used to seeing in the first two films. He was left with only the embarrassment and fatigue of running away with an unshaven beard, and at most he just cueed his own charming man gag. Most importantly, do you think this is the final chapter? Do you think there will be any linkage or surprise guest appearances between the two Easter eggs? None! Not only does it foreshadow the possibility of a sequel, but the second Easter egg ended too soon after a long time, which made me very annoyed while holding my urine. The director is the screenwriter of the first two films and the third one. I am very disappointed with the story and character creation. The end of this series is the best outcome. It's a pity that I liked the first film so much for 18 years. I feel sorry for my time and money. I still say the same thing. If you haven't read it, I suggest you avoid it and run away quickly.
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Tell it to mom
When I watched it, I also felt similar (the mother talked about Heidi and grandfather), but there are also differences. The movie chose a summer cabin by the sea that has no clear social background and is a bit isolated from the world; the viewpoint may not be shifted to a little girl like Heidi. I can feel that behind the seemingly bland and blank rhythm is more of a grandmother facing death. Her fear of time has very interesting parts, but what I felt most deeply was that the camera was focused on many seemingly meaningless details, such as how the grandmother lifted the sheets and hugged herself with her arms, lying stiffly on the bed; talking to the little girl in the tent about how she could enable girls to join the Boy Scouts, but she couldn't recall this epoch-making event. What was it like lying in the tent when she was a child? This kind of loss - later the little girl went to the tent to feel it herself and came back to tell her grandmother that she could hear a lot of voices, as if the world was pouring in. This dialogue had a great emotional impact on me. When the grandmother recalled the Boy Scouts, she said, "The little things we did at that time, such as finally allowing girls to sleep in tents, were so meaningful at that time, why Now it feels dull too." The girl asked, "Do you mean that what you do with me now is meaningless?" Grandma said, "I mean day after day, time after time, why can't I remember the things that were so important to me then now, what it feels like to sleep in a tent." Then the little girl put her head on her grandmother's chest, and they lay in the tent together. How to wave her arms on the moss when not being seen; how to misjudge the neighbor's boat that she still looks forward to and has a heartbeat when she is old, and after realizing that it is not a neighbor's boat at all, she curls up behind the rocks on the seashore like a swan sleeping posture, which looks safe and peaceful, but in fact she also feels that the world owes her too much and needs to embrace herself in this posture. There are also many parts that really seem to have no plot or even some anti-narratives, such as when there is a storm at sea, Dad is trying to get the bed to the shore, but when he successfully lands, like a plot climax of resolving a crisis, he is disappointed and stiff on the shore. Meanwhile, in the cabin on the shore, the girl thought her father would never come back, and said guiltily to her grandmother that she had prayed for a storm because life was too boring - at this moment the father came in and said to the girl, no, he had also wished for a storm before the girl made the wish, because the girl's mother (who had passed away) also liked storms. I can't explain how this made me feel, I felt it was very complicated, like the trauma of the past and the fear of the future had poured into the boredom and dullness of the moment, but at the same time it was a very touching movie about mutual support, acceptance, comfort and endurance; it was not as heartbreaking as I had imagined, because originally I thought the camera would be focused on death itself; but instead, it lightly uses some fragments and shadows to incorporate the long-term journey of several people into a summer vacation; the deceased mother appears at the beginning in the form of a straw hat that no one knows where it is placed and makes people sad when seeing it. When the father sees it, it will freeze in the air, and then the grandmother says, "I'll put it away." Everyone has their own thoughts, traumas, depression, and anxiety, and sometimes goes to corners that are not seen by others. For the girl, it is the attic where she can see what her father and grandmother are doing downstairs through the hole in the floor; for the father, it is a tree planted on the shore; for the grandmother, it is a forest with many wood carvings and a place where you can see the boat coming.
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You have such a serious academic imbalance, and you still want to be an agent?
A loved one is murdered, the authorities sit idly by and the man takes risks alone to seek revenge - there are at least eighty such action and thriller films with this cliché. Moreover, "The Man from London" is a big commercial production. It stands to reason that a character with a unique face or a strong body would be enough to play the role. Is it necessary to use Oscar winner Rami Malek? After watching the movie - I have to say, I really can’t live without him. This is not entirely because we can imagine his role as a high-IQ geek nerd in Mr. Robot, which brings a sense of emotional intimacy. More importantly, under the surface of transnational pursuit and revenge, this movie is filled with a sense of despair of a lonely person who keeps falling into deeper loneliness, and has an emotional power higher than the average commercial film. Charlie, a cryptographer with a loving family and a capable job, suddenly learned that his wife had been murdered. His life fell into the abyss and he once collapsed and cried alone in the empty house. His boss, who always claimed to seek justice for him, not only broke his promise, but was also the mastermind behind the killing of innocent people out of lust for power. The instructor who taught him survival skills had to follow orders to hunt him down, and was indirectly killed because of him during the operation (at least that was what it seemed at the time). He met a female informant who was also tortured by loneliness. After exchanging a brief warmth, he had to watch her fall in a pool of blood. When faced with the agents who came to persuade him to stop, Charlie's answer was: I can't go home because she is not there. At first glance, this sounds illogical. Even if he kills the murderer, his wife will never come back. Wouldn't he never be able to get over this grief? But behind the seemingly contradictory statements, he hides his desire for redemption. He regrets not accompanying her to London and hates himself for not being able to protect his beloved, so he must complete the arduous task himself to regain his inner peace. As the psychologist said: This has nothing to do with justice, it all comes down to your heart. I can help you, but ultimately it depends on you. The doctor certainly did not encourage him to seek revenge, but unexpectedly pointed out the only way for him to redeem himself - as a powerless civilian, he challenged the methods of the field agents and sent the villains to hell one by one with his own hands. Such motivation allows Charlie to break away from the stereotyped revenge machines on the screen. Under the thrilling and murderous scenes of punishing evil, the movie secretly tells the story of a lonely man saving himself. A man who is about to drown in despair relies on his strong intelligence and amazing action to pull his heart out of the quagmire. During the operation in a foreign country, Charlie keeps hallucinating that his deceased wife appears beside him. This does not help the tense and exciting atmosphere, but makes the heartbreaking art film underneath loom. Rami Malek's performance makes Charlie's huge inner pain overflow the screen, adding persuasiveness to his risky behavior. The film is based on both the original novel and the original movie, and is a commercial film produced by Fox, so there is basically no suspense as to whether the protagonist's lone wolf action can succeed. Therefore, the literary story line becomes particularly important, creating the biggest uncertainty in the plot - whether Charlie has the courage to shoot the bandit leader in person. The instructor who has seen countless people has already seen through his nature, so we are actually praying that he does not become the cold-blooded killer he has never been. That is not his way of dealing with problems, and it cannot bring him real relief. Will Charlie lose himself in the brutal execution, or will he be loyal to his heart and complete revenge in his own way and principles? This is more worrying than whether he can successfully track down the murderer. In the extremely cruel fight of violence, only when he can keep himself can revenge be a complete victory, and it will be enough to comfort his wife's soul in heaven. Therefore, until the last scene where everyone knows that the game is a battle of wits, even though the ending is already determined, it still makes people concentrate and hold their breath. The original novel and the original movie were created in the early 1980s and have a strong Cold War style. The power of the cryptographer's mind is limited, and the plot is far less dramatic than this new version. In today's highly information-based age, electronic devices, the Internet and encryption technology can have greater destructive power than knives and bullets, and a person's wisdom has a stronger place to be used. Charlie can more easily transform himself into a Terminator armed with his brain. If his trick to delay time for his superior was due to his professional skills, home field advantage and long-term planning, then when he entered a foreign country with a fake identity where he was unfamiliar with the place, his performance was still much more powerful than the character in the original movie. Even though his marksmanship is a complete joke and his physical training has not been effective, it is easier for the audience to believe such a plot: those ruthless thugs will become ducks on the chopping block in front of him and be eliminated with a precise efficiency that is almost like a professional killer, even if it is not done overnight. When he first arrived in Paris, he was still a layman in tracking, breaking into, and escaping (the old version of the protagonist could unlock the door in an instant), and he made many mistakes in his panic. However, when he went to the rehabilitation hospital to deal with the pollen threat, he had a relatively complete disguise and plan, but he still needed physical struggle and luck to complete it by accident. In the next cool pool explosion (which is also the highlight of the original movie), he has already begun to show the style of a professional spy. He acted according to circumstances from his appearance to his departure, and he escaped without any danger. After experiencing the battle royale in the beach house and losing his partner's support, his skill points soared. He calmly set up the explosion trap, pressed for clues in an orderly manner, and finally slowly left the explosion area, controlling the situation almost at the textbook level. To be precise, such rapid progress by an outsider is bound to be suspected of cheating, but Charlie's IQ of 170, his extreme grief and trance, and his determination to die rather than surrender, make me believe that he is such a gifted intelligence genius, and that I can share his encouragement and inspiration that "when a man wants justice, the whole world has to make way." Following Charlie's footsteps of revenge, we witness him bending down and immersing himself in the game of espionage, witnessing the deaths of criminals one after another, witnessing the collapse of the conspiracy, and the people who cared about him reappearing with full blood, until finally seeing him sitting in the cabin and rushing into the blue sky, with inspiring music sounding. The movie swept away the two hours of coldness and depression, like a long and arduous psychological healing. Charlie was once wrapped in the darkness of despair and almost suffocated, but this darkness was finally penetrated by the sunlight.
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